Accompanied by Professor Ahu Aydogan, third year undergraduate students, as part of their seminar class in Construction Technology, toured the recently completed 145 Central Park North project by the design build firm GLUCK+ . The tour was led by Adjunct Assistant Professor Charles Gosrisirikul, who was part of the team which designed the residential high-rise
The Spitzer School’s B Arch student team in the APT-PETC (Association for Preservation Technology) Design-Build Competition won three awards: Best Historical Research, Best Phase 2 Video Submission, and Most Ambitious Team. The competition finals were held on October 25-26. The students — Tamar Plotzker (4th year), Xiao Lin Wang (4th year), Danielle Ryba (3rd year),
Kedishia Joseph (B Arch ’24) recently received the Common Bond Scholarship from the New York City chapter of the American Institute of Architects. This scholarship, awarded for outstanding academic success, was presented to Kedishia at the Center for Architecture Gala at Chelsea Piers on October 28. This annual fundraiser honors a selected group of individuals
Adjunct Associate Professor Lindsay Harkema’s critical inventory of privately owned public spaces (“POPS”) in New York City is published in the new book Urban Inventories by the Bureau d’études de pratiques indisciplinées of the École de design at the Université du Québec à Montréal. It appears in the chapter “Towards a Generic Public,” which presents a
Cristina Stivala, a first-year B Arch student at Spitzer, placed runner-up in this year’s AIA Design Competition “Recipe for a Room.“ The challenge was to create a classroom model entirely out of school supplies while focusing on the impact COVID-19 has had on these places of learning. Cristina’s approach was to implement an engaging, outdoor
The Spitzer School has helped to endow the new J. Max Bond Jr. Fund at the Center for Architecture. The founding organizations will collaborate to develop programming in honor of the school’s late dean, Max Bond, and addressesing issues related to equity, underrepresented communities in design, and global cultures — particularly those of Africa and