Robert Hughes once described Michael Sorkin as “unique in America––brave, principled, highly informed and fiercely funny.” All Over the Map confirms all of these superlatives as Sorkin assaults “the national security city, with its architecture of manufactured fear.”
The walk from my apartment in Greenwich Village to my studio in Tribeca takes about twenty minutes, depending upon the route and whether I stop for a coffee and the Times. Invariably, though, it begins with a trip down the stairs. And so sets out architecture critic Michael Sorkin on his daily walk from his
Showing how the upswell of paranoia and growing demand for security in the post-9/11 world has paradoxically created widespread insecurity, these varied essays examine how this anxiety-laden mindset erodes spaces both architectural and personal, encroaching on all aspects of everyday life. Starting from the most literal level—barricades and barriers in front of buildings, beefed up
Called a “security fence” by the Israeli government and the “apartheid wall” by Palestinians, the barrier currently under construction in the West Bank has been the subject of intense controversy since the first olive tree was uprooted in its path. In violation of a ruling by the International Court of Justice and a resolution by
Whereabouts is a study of eight prominent young North American architecture firms. For the most part working within a vocabulary of late modernism, these firms — two from each point of the compass — have been strongly influenced by regional concerns. Shim/Sutcliffe of Toronto and Brian MacKay-Lyons of Nova Scotia stand for the North; from
Architect and social critic Michael Sorkin develops his own vision of the future lower Manhattan through a series of chronologically organized essays illustrated with full-color images of his own plans. Mixing his inimitable brand of social criticism with more personal reflections, Starting From Zero offers a striving challenge to the Ground Zero redevelopment plan recently